Saturday, November 21, 2015

Galena Mounds, Palatine Mounds, Cahokia

There are several mounds and large Mississippian complexes in Illinois.  Smaller sites include the Galena Mounds and the currently un-examined, newly re-discovered Palatine Mounds.  I’ve visited both along with the largest Mississippian complex, Cahokia.
The Galena mounds are nestled in between farms.  The day I visited, it was drizzling and I was able to  visit some of the mounds, but due to the inclement weather, I was not able to venture further and find the effigies.  Once again, I did pick up on some strange vibes at the place.   Unlike Aztalan and its peacefulness, I felt some anger and uncomfortableness at this site.
The Palatine Mounds are newly re-discovered and appear to be on industrial park property.
http://www.dailyherald.com/article/20110509/news/705099959/
Palatine Mounds
This area is peaceful and is surrounded by many people so don’t attempt to do anything to this site.
Lastly, I visited Cahokia (estimated to be populated by at least 25,000 people) and would say the area gives off a peaceful vibe, except near the area of Mound 72 in which I would say the vibe is “very dark.” The area was also fortified and contained large mounds and a woodhenge.
Here are some photographs from my visit.  The pottery shows the images of the Cahokians which appears to be Asiatic/Mongoloid except for one artifact that appears Caucasoid with the Aquiline nose feature.
Strange circular growth (like a fairy circle) near Mound 72
There was evidence of human sacrifice and burial at Mound 72.  The vibe was dark in the area.
Pottery with face that is obviously Asiatic/Mongoloid
Birdman Tablet with Caucasoid Man and Aquiline/Hook/Roman nose feature.
More spiral motif pottery (Mississippian society was matriarchal just as Jewish society in regards to lineage – most males come from the same bloodline and thus it does not matter since they keep their elite bloodlines controlled and restricted to inbreeding)
Evidence of copper mining
Lastly, a visit to a cemetery in Springfield and the Tanner Tomb, shows us this encoded symbolism in architecture never ends:

Tartaria

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